Max Gabriel 718.510.7178


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  • UNPINNABLE BUTTERFLIES: demos for a cinema-musical
  • Max Gabriel: 3.Yellow.Spiders
  • 7 SPLINTERS IN TIME Original Motion Picture Score
  • FROM BAGHDAD TO BROOKLYN Original Motion Picture Score
  • Max Gabriel: The Exile of Saint Christopher
  • Film/TV Scoring: Eclectic Cues
  • Max Gabriel and the Broken Ribs
  • Max Gabriel: various demos, works in progress
Patience with this modern world, dear
Max Gabriel

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Unpinnable Butterflies is the overarching project name for songwriter and film composer Gabriel Judet-Weinshel. Also a filmmaker under that original moniker, it was through this parallel career that Gabriel first brushed shoulders with some of his musical heroes: photographing a long list of luminaries including U2, Elvis Costello, Bruce Springsteen, Alicia Keys, Judy Collins, Sheryl Crow, Lil’ Wayne, Ani DiFranco, Lyle Lovett, Counting Crows, James Taylor, The Black Keys, Nicki Minaj, and Elton John, and directing music videos for Ben Harper, Braison Cyrus, and Joseph Arthur.

When Grammy-nominated producer and composer Scott Healy first heard a collection of Gabriel’s demos and agreed to produce the songwriter’s first record for indie imprint sonaBLAST! Records, Gabriel found himself again surrounded by musical luminaries, as Healy assembled an all-star cast of some of New York City’s greatest session players and special guests. His debut, “The Exile of Saint Christopher,” featured legendary drummer Shawn Pelton (Bruce Springsteen, Johnny Cash), Bakithi Kumalo of Paul Simon’s “Graceland,” and folk-rock sensation Brett Dennen lending guest vocals. The record garnered enthusiastic reviews— Ian Mathers of the Village Voice wrote, “He’s got one of those malleable voices that can sound a bit like everyone from David Byrne to Ed Harcourt, but always mostly like himself”—became a Paste Recommends select, and was added in heavy rotation to Starbucks’ coffeehouse playlist.

Never one to stop moving, Gabriel has since scored two feature films—the cult film, which he wrote and directed, 7 Splinters in Time, released theatrically in 2018, and the Netflix documentary From Baghdad to Brooklyn—and numerous television and web commercials. His songs have played nationally on Fuse’s “Live From Bonnaroo,” on the TV series “In Between Men,” and in the independent film “Where Hope Grows.” He led the house jazz trio for many years at New York’s Soho House, and he is hard at work on a cinema-musical.


Gabriel’s upcoming record and second collaboration with Healy, “Radio Ocean,” will be released on sonaBLAST! in the summer of 2021. It’s a sprawling and raucous affair, over a decade in the making. The record expands the sound of Gabriel’s sometimes intimate first record into a wider, free-wheeling and eclectic stew, channeling everything from country, to west African guitar riffs, to classic rock.

Healy and Gabriel have outdone themselves in assembling a who’s-who of A-list talent once again. The 13-tune album features a returning Shawn Pelton and Curt Bisquera (Mick Jagger, Tom Petty) on drums, the totemic Lee Sklar (James Taylor, Jackson Browne, Carole King) on bass, Jason Orme (Alanis Morissette) on guitar, a full horn session comprised of Conan O’Brien’s Basic Cable Band veterans; as well as featured guest appearances by Americana darlings Birds of Chicago (JT Nero and Allison Russell), the saxophone prodigy Grace Kelly (Jon Batiste, Lee Konitz), songstress Jessica Childress (Aloe Blacc, Portugal the Man), indie maverick Kate Tucker, and chanteuse Perla Batalla (Leonard Cohen). As perhaps a sly nod to his filmmaking twin identity, Gabriel’s colleague, the esteemed rock photographer and director Danny Clinch, plays harmonica.

Amid all of this outstanding musical talent is Gabriel’s songwriting. His words and stories are baroque and literary, with invocations of Samuel Beckett, Thomas Pynchon, Arundhati Roy, and even a song about David Foster Wallace. At once maximalist and personal, mythological and emotional, the stories told in ‘Radio Ocean’ capture a modern world’s sundry moments of collapse and crisis. Woven throughout is a personal narrative about the vicissitudes of love, heartache, and the quest for meaning and connection in a fragmented time.

Patience with this modern world, dear.