Scoring 'Convergence,' a promotional film for Lumendi in collaboration with my old friend and mentor Mike Elliot for more >>
Scoring ‘Convergence’
May 18th, 2018
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May 18th, 2018
February 23rd, 2018
The grand opus of a motion picture score (over 90 minutes of original music), 7 SPLINTERS IN TIME, is now available more >>
September 22nd, 2016
A slow attrition on this one—roughly a month in the making this palimpsest of voices.
August 13th, 2016
For months, I’ve been working on a new cinema musical, a bricolage of forms. First demo is up more >>
October 25th, 2015
Pleased to share (and pardon the plug): FROM BAGHDAD TO BROOKLYN, the complex and highly personal doc by Jen Utz and more >>
July 21st, 2015
After 317.25 hours of labor, I proudly deliver over 56 minutes of music for the Netflix doc FROM BAGHDAD TO BROOKLYN. more >>
March 3rd, 2015
In Ojai, California, recording with the luminous vocalist Perla Batalla for the long-in-incubation new Max Gabriel record. Thrilled, honored, grateful.
December 19th, 2014
Just completed: OMPHALOS score: 43 cues, 82 minutes 21 seconds of music. It took Max Gabriel 660.75 hours more >>
August 20th, 2013
Tracking the rhythm stems for the OMPHALOS score at Josh Valleau's boutique studio in Bedstuy. They'll become the more >>
January 1st, 2013
The bulk of 2013 is spent adumbrating demos, and then taking into the studio with live musicians, the baroque and lengthy more >>